Tommy Dorsey And His Orchestra - Its Always You In The Blue Of Evening

Download Tommy Dorsey And His Orchestra - Its Always You In The Blue Of Evening
Artist: Tommy Dorsey And His Orchestra
Album: Its Always You In The Blue Of Evening
Rating: 4.5

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Filename: tommy-dorsey-and-his-orchestra-its-always-you-in-the-blue-of.zip
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leejamesbutler

Review by Lee Butler

"It's Always You In The Blue Of Evening" is a classic album by Tommy Dorsey and his orchestra that showcases their signature big band sound. The album features a mix of upbeat swing tunes and romantic ballads that are sure to please fans of the genre.

The standout tracks on the album include the title track "It's Always You In The Blue Of Evening," a beautiful ballad that showcases the lush, melodic sound of the orchestra. Other highlights include the upbeat and infectious "Opus One" and the swinging "I'll Never Smile Again."

Table of Contents

Tracks

TrackDurationPreview
In The Blue Of Evening
It's Always You

Video

1943 HITS ARCHIVE: In The Blue Of Evening - Tommy Dorsey (Frank Sinatra, vocal) (a #1 record)
1943 HITS ARCHIVE: Its Always You - Tommy Dorsey (Frank Sinatra, vocal)

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Catalog Numbers

20-1530

Labels

Victor

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Formats

  • Shellac
  • 10"
  • 78 RPM
  • Repress

Companies

RoleCompany
Record CompanyRCA Victor Division Of Radio Corporation Of America
Pressed ByRCA Records Pressing Plant, Camden

Credits

RoleCredit
VocalsFrank Sinatra

Notes

  • A side (mx: BS-058879- [1]1I); recorded New York, NY, January 15, 1941. Take [1]1I is a dub made May 10, 1943.
  • B side (mx: BS-075282-1B); recorded New York, NY, June 17, 1942. Take 1B is a dub made June 26, 1942.
  • Originally released in June 1943 on Ring Label with RCA Manufacturing Co, Inc.
  • Late 1943-Jan. 1946 repress on Victor Ring Label with RCA Victor Division at bottom.
  • Label rings broken at bottom = Camden pressing.
  • A side (mx: BS-058879- [1]1I); recorded New York, NY, January 15, 1941. Take [1]1I is a dub made May 10, 1943 for this release.
  • Original release on Ring Label with RCA Manufacturing Co., Inc.
  • Label rings of unequal length = Indianapolis pressing.
  • Label rings closed on top and at bottom = Indianapolis pressing.

Barcodes

  • Matrix / Runout (A Side Center Label): 20-1530-A
  • Matrix / Runout (B Side Center Label): 20-1530-B
  • Matrix / Runout (A Side Run-Out Stamped): GJ 20-1530A 4 1 5
  • Matrix / Runout (B Side Run-Out Stamped): D 20-1530B 2VS 1B
  • Matrix / Runout (A side runout, stamped): 20-1530A A1 H(?) 1 A D(?)
  • Matrix / Runout (B side runout, stamped): 1 20-1530B 27947B 1A 1B2
leejamesbutler

Summary by Lee Butler

"It's Always You In The Blue Of Evening" is a must-have album for fans of big band music. It's a timeless classic that showcases the talents of Tommy Dorsey and his orchestra and is sure to be enjoyed for generations to come.

Comments

grettutiee
2023-06-23
Reading the book ‘countdown 1945’ and this song was messaged in a chapter that mentioned a young woman working in the production of the atom bomb- remembered that this song was playing when she first met her boyfriend who was a soldier during the battle of the bulge. Wanted to experience why they remembered music. Interesting. Big band music was wonderful for sure.
angelbytheocean
2023-06-22
Baby making music. Though with most of the good ones off to war, there weren't many guys around to make babies with. That would all change in about three years.
quarterturns
2023-06-21
? F R A N K I E !!!!!!!!! ❤️??❤️??❤️????????
mickandclare22
2023-06-20
This is perfect. Nothing comes close
foreverwindream
2023-06-19
Cool....'a re-Classic....'Mad Man-esque' stay-at-home Date Night music....with Martinis...
This is a very nice version. However, I prefer the live one on Saturday 14/08/1943 at Hollywood Bowl California. The live performance is thrilling, outstanding
gracielagor4eva
2023-06-19
This pretty tune was one of the best, among many good ones, to emerge from the Crosby-Hope road pictures. The Miller version is nice, but Ray Eberle couldn't compete with Sinatra, and this arrangement, which I will assume was an Axel Stordahl concoction, suits so beautifully that forlorn quality we so often find in Frank's voice of this period. Lovely contributions from the leader, Ziggy Elman and Johnny Mince, too.
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